#Footlight players theatre charleston sc how to
While deciding how to dispatch June, he quips: “Hemlock is easy, but too Socratee-sy.” This part includes parodies of Into the Woods, A Little Night Music, and Company. The second installment is my favorite-an astonishingly accurate spoof of Sondheim-which is no mean feat-in which Magley is the Sweeney Todd-esque demon artist. A highlight is Koehler’s vocal tribute to Climb Every Mountain and You’ll Never Walk Alone, which is summed up by the line “Follow your dream until you die!” First in the style of Rodgers & Hammerstein, with hilarious references to Oklahoma, South Pacific, Cinderella, The King & I, The Sound of Music, and Carousel. Her beau, Bill ( Anthony Massarotto), wants to help but lacks commitment, and the wise matron, Abby ( Katie Koehler), offers her sound philosophical advice.Īll of this is backed by a talented chorus ( Trey Barbaree, Haydn Haring, Latanya Mueller, Christina Leidel and, Julian Summey), and a phenomenal, but invisible musician, Marsha Golsmith-who also directed the company musically.ĪCT 1 plays this “plot” in three styles. The “plot” is simple: June (Fishburne) cannot pay the rent and the landlord, Jitter ( Kyle Magley), is happy to take alternate payment from the cutie. The Musical of Musicals (The Musical!) is a sophisticated spoof of The American Musical. Her acting is versatile, her comic-timing impeccable, her physicality Olympian, and her vocal abilities wicked!
I could say that the cast is filled with skilled comic actors and actresses, exciting voices, pretty women, men who can dance, and some very clever choreography.īut I think I’ll begin this way: Mary Fishburne is an extraordinary triple-threat as the lead of the ensemble. I could say that young Jon-Michael Perry’s debut as a director is, at the least, an auspicious beginning for a promising talent.
I could say, for example, that Musical of Musicals (The Musical!)-The Footlight Players’ 2012 Piccolo Spoleto Festival musical offering-is a hilarious and refreshing break from the same old musicals that every local theatre remounts. Tickets are $25 for adults and $15 for students.I COULD BEGIN this review a number of ways.
#Footlight players theatre charleston sc series
The two will perform an intimate collection of some of their favorite Broadway and standard tunes along with sharing some stories behind the music and their experiences in the world of theatre.Īccompanied only by piano and welcoming a handful of special guests, Porter and Anderson hope their new cabaret show will inspire music and theatre lovers throughout Charleston as they help Footlight Players and Queen Street Playhouse launch the Queen Street Music Series with their first show of the New Year with In the Key of B. Anderson too has kept a busy theatre schedule throughout the years with memorable roles such as Little Edie in Grey Gardens, Frau Blucher in Young Frakenstein, and a regular featured artist on the stage with 34 West Theatre Company.īecca and Brian, the titular ‘B’s of the cabaret show’s title, surprisingly have never shared the stage opposite each other in a regular musical and have only performed together live a couple of times, most recently in What If? Productions’ Carol of the Belles holiday piano bar. Along the way he has picked up many accolades for his performances as the Emcee in Cabaret, Seymour in Little Shop of Horror, and as one of the murderous duo in Thrill Me, The Leopold and Loeb Story. Porter, who is also Footlight Player’s Executive Director, made his debut on the Charleston theatre scene in 2010 playing the title role of Hedwig in Hedwig & the Angry Inch at the American Theatre, a role he will reprise this coming June with What If? Productions. Footlight Players and the Queen Street Playhouse kick off 2020 and their expanding Queen Street Music Series, with two of Charleston’s finest vocal talents together on stage as Brian Porter and Becca Anderson join forces for a new cabaret show In the Key of B, on both January 10th and 11th at the Queen Street Playhouse.īoth two time winners of Charleston City Paper’s Best of Awards for Best Actor and Actress in Charleston, Porter and Anderson have been celebrated throughout the years as two of Charleston’s most versatile and experienced theatre talents.
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